13.Indiana
Susan Nelson, Associate Professor, Fine Arts and EALC (Ph.D., Harvard Univ.): East Asian art history, Chinese painting.

14. Buffalo
Minglu Gao mgao@acsu.buffalo.edu
Ph.D., Harvard University
Chinese Art, Twentieth and twenty-first centuries
Professor Gao is one of the leading authorities on Chinese Art in the twentieth and twenty-first centuries. He has an impressive record of curatorial activity in China prior to 1989 and he has earned an M. A. and Ph.D. at Harvard. He is the author of four books, two in Chinese and two in English.
Books (in English):
Inside Out: New Chinese Art,ed.
Fragmented Memory: The Chinese Avant-Garde in Exile,co-ed.
Books (in Chinese):
Chinese Avant-Garde Art
The History of Contemporary Chinese Art
开的课：Chinese Modernity and Avat-Garde中国的现代性和Contemporary Chinese Arts 当代中国美术

15. Cornell
AN-YI PAN ap76@cornell.edu
Research:
Chinese Painting; Chinese sculpture; Japanese art in general; Cross-cultural analysis of East Asian art; Sinological interpretation of Chinese art; Buddhist theology and art; Modern and contemporary Chinese art Teaching:
Survey courses:
Introduction to the Arts of China
Introduction to the Arts of Japan
Chinese Painting
Seminars:
Arts of the Tang Dynasty
Arts of the Song Dynasty
Friends of the Cold Season
Dawn of Modern Chinese Art
Modernity and Chinese Art
Select Publications:
Books in progress:
Working title: "Li Gonglin's White Lotus Society Picture and the Tang and Song Quest for Enlightenment"
Articles:
"The Formation and Ideology of the Three Laughers Story and its Later Derivative: The Two Laughers," in Professor Chu-tsing Li's Festschrift [in press]"Painting and Friendship, Private and Political Life: The Case of Li Gonglin(ca. 1049-1106)" in Journal of Sung-Yuan Studies (September 2000)"Eclecticism in Shen Hao's Painting," in Perspectives on the Heritage of the Brush, Lawrence: Spencer Museum of Art, University of Kansas, 1997."A Southern Song Dynasty Amitabha Triad Painting Reconsidered," in The Bulletin of the Cleveland Museum of Art 81 (November 1994)

16.Chicago
Jennifer Purtle (Instructor of Chinese painting) jgpurtle@midway.uchicago.edu
Yale University
Later Chinese Art. Research interests in Chinese visual and material culture from the Six Dynasties to the present, especially the cultural geography of Chinese visual production, urbanism, and East-West exchange.
"The Eyes Have It: Technology, Ritual, and Animation in Chinese Sculpture and Painting from Han through Tang"
HUNG WU,巫鸿 Ph.D.
Harrie A. Vanderstappen Distinguished Service Professor in Art History and East Asian Languages and Civilizations.
Teaching/Research Interests: Early Chinese art and relationships between visual forms (architecture, bronze vessels, pictorial carvings and murals, etc.) and ritual, social memory, and political discourses.

17.UCI
Judy Chungwa Ho
My research has been guided by a concern with how Chinese art history has been shaped by forces both inside and outside China国内外的情况如何塑造了中国艺术史, in particular, how recent archaeological finds have transformed our present understanding and future direction of the field. 近来考古发现如何影响了目前的理解和对未来方向的定位
In recent years, my major efforts have been directed towards the completion of two book projects concerning intercultural contacts on the Silk Road and the impact on art丝绸之路上的跨文化接触及其对前现代化艺术，形象塑造，视觉和宗教实践的影响, image-production, and visual and religious practices in pre-modern China. The first book, The Art of the Storyteller: Translation of a Buddhist Theme早中世纪的佛教主题的翻译 in Early Medieval China, concerns issues of visual and textual translations of a Buddhist story--the Vimalakirtinirdesa sutra什么什么佛经的故事, and the creation of the storyteller as a cultural hero.
The second book, Family and Redemption: Emotional Themes in Chinese Art During the North/South Division, concerns the emergence of an unprecedented emotional vocabulary during a period of decentralization when north China was under the conquest dynasty of the Tuoba Wei拓拔魏统治下的北中国的什么什么. It analyzes how various anxieties concerning family ideology, the position of women, and other conflicts between the Chinese and nomadic populace were played out in illustrations of Confucian filial piety坟墓和佛庙的儒教孝的虔诚和佛教故事中体现的华夏民族与游牧民族的冲突，妇人的地位，家庭的意识and Buddhist stories that were circulating in tombs, ancestral shrines and Buddhist temples at the time.

18. Duke University
Stanley K. Abe sabe@duke.edu
Associate Professor of Art History
Stanley Abe received his Ph.D. from the University of California, Berkeley. His field of research is Chinese Buddhist art中国佛教美术. Since writing hismonograph, titled Ordinary Images: Chinese Buddhist and Daoist Art of the Fifth and Early Sixth Centuries 5.6世纪的中国佛教道教美术C.E., he is developing a critical study of the construction of a history of Buddhist art in the West during the nineteenth and early twentieth centuries 9世纪和20世纪初的西部佛教美术史. This study pays special attention to colonialism, collecting, museums, aesthetic theory, ethnography and religion. Northern Wei北魏

19. Maryland
Professor Jason Kuo jk103@umail.umd.edu
Chinese Art
Professor Jason Kuo, an authority on Chinese art, is the author of Wang Y黙n-ch'i's Art of Landscape Painting; Trapping Heaven and Earth in the Cage of Form; Innovation within Tradition; The Painting of Huang Pin-hung; The Austere Landscape: The Paintings of Hung-jen; Word as Image: The Art of Chinese Seal Engraving; Chen Chikwan; Heirs to a Great Tradition: Modern Chinese Paintings from the Tsien-hsiang-chai Collection, and Rethinking Art History and Art Criticism. 山水画，印章，现代中国画
From 1993 to 1998, he undertook the study of the nineteenth- and twentieth-century art of Shanghai, a research project, funded by the Henry Luce Foundation, combining the work of six scholars from China and six from the United States. Two books are in press: Art and Identity in Postwar Taiwan and Modern Chinese Poster-Calendars.

20. Brown
Maggie Bickford
Associate Professor maggie_bickford@brown.edu
Professor Bickford works in an object-centered practice, which makes full use of the materials and methods of history and the study of literature. Her research and writing has centered on the development of scholar-amateur ink painting文人水墨画, especially with reference to genre formation尤其是涉及流派形成 and to the relationship between Chinese painting and poetry中国画于诗歌的关联.
Her current book projects continue that line of investigation and extend into new areas. "Zhao Mengjian赵孟頫, Qianxuan钱选, and the Late Song Literati Avant-Guard晚宋文人先锋派" explores the stylistic and iconographic fluidity of scholar-painting and its reception during the late Song/early Yuan period研究文人画的风格流派和图示流质及其在晚宋和元早期被接受. "Luck and Virtue: Auspicious Visuality in China" 中国之视觉吉祥investigates interactions and intersections among imperial, popular, and scholarly visual traditions皇室，平民和文人的视觉传统的交叉影响 by means of studying embodiments of good outcomes(fecundity, longevity, prosperity and peace) throughout the long imperial period, form the third century B.C. to the early twentieth century. Her teaching interests are oriented similarly, stressing the primacy of visual evidence and extending now into non-elite areas of material culture.
Professor Bickford teaches the history of Chinese art from the Stone Age through the twentieth century, occasionally comparatively with Japan.从石器时代到20世纪，有时也做与日本的比较

21. Oregon
East Asian Program
Charles H. Lachman clachman@aaa.uoregon.edu
Associate Professor, Department of Art History (Chinese and Japanese art)Charles Lachman specializes in art theory and the history of Buddhist art艺术理论和佛教艺术史, especially in China中国，印度日本, though his research and teaching occasionally extend to India and Japan as well. His publications include Evaluations of Sung Dynasty Painters of Renown宋朝画家评鉴 (E.J. Brill, 1989), and various articles which have appeared in Artibus Asiae, Art Bulletin, Asia Major, Clues, and elsewhere; he is currently working on a book concerning problems of interpreting Ch'an Buddhist painting禅宗绘画. He has held grants and fellowships from the NEH, the Social Sciences and Humanities Research Council of Canada, the Asian Cultural Council, and the College Art Association, and recently spent a term in residence at the UO Humanities Center.

22. Georgia
Bradley Tindall (Ph.D. Ohio State)
Assistant Professor of Art: History of Art, India, South-East Asia, China.

23. Rutgers
Angela Howard, Associate Professor
Asian Art
Ph.D., IFA, New York University
Biographical Information:
Professor Howard's teaching spans Chinese and Japanese art. Most of her research has focused on the development of Buddhist art in China中国佛教艺术的发展, as signaled by her first book, The Imagery of the Cosmological Buddha (E.J. Brill, 1986). Her subsequent work recording Buddhist cave and cliff sculptures 佛教洞窟与峭壁雕刻in remote areas of China has been funded by a series of National Endowment for the Humanities Fellowships and led to the article Since 1985 Dr. Howard has been especially involved with the Buddhist art of southwest China (Sichuan and Yunnan四川云南), from its inception to Song time 宋朝(ca.200-1250), focusing on the development of an indigenous style and iconography determined by the influence of cultures such as India, Tibet, and southeast Asia印度，西藏和东南亚文化的影响. She has also researched Central Asian Buddhist art and its impact on Chinese art of the Nanbeichao period.中亚佛教艺术及其对于中国南北朝艺术的影响
Also, Professor Howard was hired in 1999 by the Asian Department, The Metropolitan Museum of Art, New York, as Special Consultant in Buddhist Art, to organize with other curators the exhibition Early Imperial China: The First Millenium, Han Through Tang Dynasties, scheduled to open March 2004. In this capacity, she has traveled twice to China (January and May-June 2001) to visit the museums of different provinces to select Buddhist art, mainly sculpture. Professor Howard is also responsible for writing an introductory essay on
the development of Buddhist art and all the entries of the Buddhist artifacts in the forthcoming catalogue.

Current interests and research:
March 2001: Henry Luce Foundation China On-Site Seminar Program grant administered by the Asian Cultural Council and given to Rutgers, The State University of New Jersey. According to the grant's requirements Dr. Howard (Director of the project), Dr. Yu Chun-fang (Rutgers, Chair Religion Department), and Dr. Li Chongfeng, Archaeology Department, Beijing University, PRC, will teach ten graduate students (five American recruited nationally and five Chinese) in a four-week seminar Buddhist Art of the Kizil Cave Temples on location in Kizil, Xinjiang, PRC. The $ 77,000 grant provides honoraria, traveling and living expenses for all the participants, support for a conference, and administrative fees paid to Rutgers.Dr. Howard is currently working as the editor of Art of the Buddhist Caves and Temples of China (300-1800) (New Haven and Beijing: Yale University Pressand Waiwen Press). This is a collaborative work between Western scholars (Abe of Duke University, Howard and Yu of Rutgers, Linrothe of Skidmore, Berger of Berkeley) and Chinese scholars (Ma Shichang and Li Chongfeng of BeijingUniversity, Ding Mingyi of Chinese Academy of Sciences, Luo Shiping of Beijing Central Academy, Xie Jisheng of Tibetan Academy, Wang Jiapeng, and Luo W
enhua of Palace Museum, Beijing).
She is also the Senior Western Editor for the upcoming Three Thousand Years of Chinese Sculpture, co-authored by Wu Hong, Yang Hong, and Li Song. (New Haven and Beijing: Yale University Press and Waiwen Press, forthcoming Fall 2002).

24. UCSB
Peter Sturman sturman@arthistory.ucsb.edu
Associate Professor
B.A., STANFORD UNIVERSITY; M.A., PH.D., YALE UNIVERSITY
Peter Sturman's field is Chinese art history, and his research focuses on the literati tradition in both painting and calligraphy in the Song dynasty. He received a Fulbright, Andrew Mellon Fellowship and many others. His publications range from Han dynasty to twentieth-century art and include Mi Fu: Style and the Art of Calligraphy in Northern Song China, 1997.

25. Columbia
Robert Harrist reh23@columbia.edu
Jane and Leopold Swergold Professor of Chinese Art
Robert E. Harrist, Jr. received his Ph.D. in Chinese art and archaeology from Princeton University. His research interests include Chinese painting, calligraphy, and gardens中国绘画书法和园林艺术. His most recent lectures and publications deal with the phenomenon of copies and replicas in Chinese art中国美术的赝品. Currently he is at work on two projects, a general history of Chinese calligraphy中国书法史and a book titled "Reading Chinese Mountains" that will study the role of language in shaping perceptions of landscape塑造山水视觉的语言的角色.

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